|Walk towards the Garganta del Fraile near Serradilla (Martin Kelsey)|
Serradilla is that typical half-forgotten outpost, a dense pack of mainly single-storey white-walled, terracota-tiled homes terraced along eccentrically-dimensioned cement streets, which if you looked from above, recall the logic of a spider's web, but at ground-level transform to a maze. Hardly a soul is encountered, but from some of the dwellings partially-raised shutters and colourfully-striped door-curtains suggested occupancy. From the main road which takes an oblique chord across the town and compromises its width as it searches out the least obtuse of routes, there are few signs of commerce, but down a side-street I quickly find a bar where I am cheerfully offered an ample pincho of tortilla to accompany my coffee.
Leaving the car at the edge of Serradilla I take a lane that strikes out parallel to the hillside above the village. I rejoice at the discordant continuation of the buildings either side of my route, the irregularly plastered walls and painted metal doors of sheds, workshops and garages: signs of a lived-in, worked-in village. This impression is reinforced as I enter the patchwork of stone-walled parcels of small-holdings that is typical of settlements here, precious assets for the people, sandwiched between the village and the vast latifundia of private estates. These dusty allotments are populated by Iberian pigs, a few chickens and donkeys, remains of the summer tomatoes wither and from a plot of water melons, with the globes of fruit dotted across the yellowing bed of leaves, a flock of Rock Sparrows twang as rise, their white-tipped tails flashing. The uneven stone walls offer perches for Black Redstarts. An arid paddock is criss-crossed by ant highways, dark seams across the textile-like mat of dried grasses, whilst a Hoopoe waddles in its curious clockwork gait.
The slope above Serradilla, fingered by small olive groves, is largely clothed by evergreen oak, patches of pines and the matorral of rock rose, with emergent rock outcrops. Over these dozens of House Martins pirouette, amongst them the darker, stockier Crag Martins, with stiffer, more-swift-like wings. As I watch, a swift does enter the arena, black and slender, until with a twist, its white band reveals its identity: a White-rumped Swift whose sojourn here extends well into autumn. I pause on the track, listening to Cirl Buntings rattling and looking south-east over the rolling dehesa with the bluish form of the Villuercas Mountains on the horizon, a good 75 kilometres away.
The track now boasts a mixed vegetation: wild olives, mastic and strawberry tree and, as if on cue, a Two-tailed Pasha crosses the path, a flight of strong stiff glides, before settling on a lichen-covered snag to take the sun. I climb on top of a stone wall to try to get an unimpeded view of this impressive butterfly, but the angle is wrong with only its rear end in view, But as the sun warms it, it opens its wings and I get a powerful glimpse of the pair of amber bands on the upper forewing, the yellow strip on the hind wing, sky-blue dusted markings and the white-rimmed pair of tails.
|Partially hidden Two-tailed Pasha (Martin Kelsey)|
|Approach to Mirabel Castle (Martin Kelsey)|
|Looking up into the Padre Santo cork oak, 900 years old (Martin Kelsey)|